Dracula's Daughter is a great book. Our editors rated it with a top 5 stars.
Cross and wooden stake in hand, Dr. Gary D. Rhodes re-enters the sepulcher of supernatural cinema, casting his lantern's light on Universal’s 1936 classic Dracula’s Daughter. With fellow tomb raiders Tom Weaver and Michael Lee, he discovers long-forgotten lore, presented herein with the film’s original shooting script, pressbook and a large array of other freshly exhumed extras.
"A comprehensive tribute to one of Hollywood's classic horror films. My grandmother, Gloria Holden, was a legend in her time, and would have been so very proud.”
– Laurie Holden, costar of The Walking Dead
“As he always does (better than anyone), Gary D. Rhodes chronicles the convoluted history of the film (how the budget grew while still having the look of a “B” film; how Bela Lugosi came and went in the cast – but still had to be paid), and why it took two years to finally get produced. Bravo, Gary. There is a reason your film scholarship is lauded everywhere. Dracula’s Daughter is another feather in your cap!”
– Richard Klemensen, editor of Little Shoppe of Horrors magazine
“Rhodes' coverage of this classic production and the endless minutiae with which he showers readers and fans are a credit to this book yet typical of Rhodes' acumen as a film scholar historian. His attention to detail opens floodgates for scholars and academics engaged in theory who rely on the sort of archival work that Rhodes makes appear effortless. Buy two copies of this volume – for one the shelf, and the other for notations, research, dog-earing, and pleasure-reading.”
John Edgar Browning, Ph.D., coauthor of Dracula in Visual Media and editor of The Forgotten Writings of Bram Stoker
"Everything you could possibly want to know about the making of , and the long process that led to its production, can be found in this definitive volume. Rhodes provides a fascinating account of how the seemingly obvious idea of a sequel to became a drawn-out process. It involved changing regimes at Universal Pictures, several top screenwriters, and Bela Lugosi, who at one time was set to appear in the film. Tom Weaver adds pages of trivia notes—some less trivial than others—and Michael Lee contributes an erudite discussion of the music score and its evolution. The book also includes several unused treatments (by John L. Balderston, Kurt Neumann, and R.C. Sheriff), a facsimile of Zacherle’s television send-up of the picture, and much of the original Universal pressbook. This is a cornucopia of goodies for any horror movie buff. The highest compliment I can offer is that it made me want to watch again…which I intend to do."
- Leonard Maltin
"The Scripts from the Crypt gang strikes again with another exhaustively researched, generously illustrated and entertainingly written winner."